![]() SoundSaver will alter the speed and pitch of the recording so that it sounds right. Switch this on, drop the needle on a 78 RPM record playing at 33- or 45 RPM, and record. The Record pane has one additional intriguing element-a 78 RPM Speed Correction option. ![]() When you do, you have the option to really stop the recording by clicking the Next button or append more material to the recording-just as you would when flipping the record to record the B side-by clicking an Append button. You stop recording by clicking a Stop/Record button that replaces the Record button. Within this pane you can set a time limit-5, 15, 25, 35, 45, 65, 85, 95, or 125 minutes-or choose Max, which causes SoundSaver to keep recording until you either run out of hard drive space or you tell the program to stop recording. You have the option to capture at up to 24-bit and 96kHz.Ĭlick Next again and you initiate the recording by clicking a Record button. Or you can choose a loud section of a recording, click an Auto-level button, and have SoundSaver set the input level. You can manually adjust levels using an Input Level slider. Then create a new file, click a Next button at the bottom of the window, and check and adjust your input levels on the large meter at the bottom of the window. Such sources could include a cassette deck, amplifier, or pre-amplifier-a direct connection to turntables isn’t supported. You begin by stringing the included 6-foot stereo Y-cable (left and right RCA connectors on one end and a stereo 3mm plug on the other) between your Mac’s audio input and the sound source. Similar to Roxio’s CD Spin Doctor, SoundSaver walks you through a series of steps to help you capture your LPs and tapes. BIAS offers just such a way in the form of its $50 ![]() For these reasons, some owners of tape and vinyl seek ways to digitize their collection. Vinyl is prone to scratches and the playing time of an LP’s side is less than half an hour. Your tapes are degrading even as you read these words. Packed with analog charm though these tapes and LPs were, they had their problems. At one time, music was commonly delivered not over the Internet, not encoded as zeros and ones on silver discs, but rather impregnated on magnetic tape and vinyl.
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