![]() This photo essay simply aims to illustrate certain patterns in art and humanity. This photo essay does not assert SDF Macross took inspiration from any of these sources or inspired later imitations. If this photo essay demonstrates audiences have responded to these repeating motifs across generations stretching back to ancient man, perhaps fans of Robotech and the fans of its source material can set aside their differences and unite in a common uplifting spirit and love of art shared by all humanity as evidenced below. The following photo essay may be enjoyed by fans of either franchise but this essay was composed primarily from a point of view prejudiced in favor of Robotech. Nekki Basara is a guitarist and a singer of the band Fire Bomber. These images suggest the more things change, the more they stay the same. 35 years have passed since Lynn Minmay had brought peace between the Zentradi and the humans. Super Dimension Fortress Macross and Robotech continue the ancient tradition of storytelling and mythology as demonstrated by the examples below. This likely became a reinforcing positive feedback loop creating evermore iconic images. Artists later rendered them in distilled portrayals of the real world. These iconic images likely sprang from human culture organically. Name: Rick Folmo Race: Zentraedi Born to a cloned Zentran pilot/Battleship captain and born Meltran paramedic/field medic, Rick grew up well-off. These images are components of the zeitgeist, noosphere, ideosphere, or collective unconscious. The viewer has either absorbed these visual images through cultural osmosis and is unknowingly fluent in this language or was born with primitive ancestral inherited instinctive reactions to these images. These images may be visual tropes extending far back into the past of early man. the flagship Battle 7, with a de-micronized Exsedol Folmo as his advisor. This photo essay examines the visual iconography of Episodes 1 to 36. Emilia Jenius is seen briefly in Macross 7 the Movie: The Galaxys Calling Me. This is a photo essay examining media literacy through the nonverbal language of images.
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